During the seventies, this gifted performer emerged as a clever, funny, and appealingly charming female actor. She grew into a recognisable star on either side of the ocean thanks to the blockbuster UK television series Upstairs Downstairs, which was the equivalent of Downton Abbey back then.
She portrayed the character Sarah, a spirited yet sensitive parlour maid with a questionable history. Her character had a connection with the attractive driver Thomas, played by Collins’s actual spouse, John Alderton. This became a television couple that audiences adored, which carried on into follow-up programs like Thomas & Sarah and No, Honestly.
But her moment of her success occurred on the big screen as the character Shirley Valentine. This empowering, naughty-but-nice journey set the stage for later hits like Calendar Girls and the Mamma Mia series. It was a uplifting, humorous, optimistic comedy with a superb character for a older actress, addressing the theme of women's desires that was not governed by traditional male perspectives about demure youth.
Her portrayal of Shirley foreshadowed the growing conversation about perimenopause and women who won’t resign themselves to invisibility.
It started from Collins playing the lead role of a her career in the writer Willy Russell's 1986 stage play: Shirley Valentine, the desiring and unanticipatedly erotic relatable female protagonist of an escapist comedy about adulthood.
She turned into the celebrity of London’s West End and Broadway and was then successfully chosen in the highly successful movie adaptation. This closely followed the similar stage-to-screen journey of Julie Walters in Russell’s 1980 theater piece, the play Educating Rita.
Collins’s Shirley is a practical scouse housewife who is weary with daily routine in her 40s in a tedious, uninspired nation with monotonous, unimaginative people. So when she receives the chance at a free holiday in the Greek islands, she seizes it with eagerness and – to the surprise of the dull English traveler she’s accompanied by – remains once it’s over to live the genuine culture away from the vacation spot, which means a delightfully passionate adventure with the mischievous local, Costas, played with an outrageous mustache and speech by actor Tom Conti.
Sassy, confiding the heroine is always addressing the audience to share with us what she’s thinking. It received big laughs in cinemas all over the UK when her love interest tells her that he loves her body marks and she remarks to the audience: “Don't men talk a lot of rubbish?”
Following the film, the actress continued to have a active career on the stage and on television, including parts on Doctor Who, but she was not as supported by the cinema where there appeared not to be a author in the class of Willy Russell who could give her a genuine lead part.
She was in Roland Joffé’s adequate Calcutta-set film, the movie City of Joy, in 1992 and starred as a English religious worker and captive in wartime Japan in Bruce Beresford’s the film Paradise Road in 1997. In Rodrigo García’s transgender story, the film from 2011 Albert Nobbs, Collins returned, in a sense, to the servant-and-master setting in which she played a below-stairs domestic worker.
Yet she realized herself often chosen in patronizing and syrupy silver-years entertainments about the aged, which were beneath her talents, such as eldercare films like the film Mrs Caldicot's Cabbage War and the movie Quartet, as well as subpar French-set film the movie The Time of Their Lives with actress Joan Collins.
Filmmaker Woody Allen provided her a true funny character (though a minor role) in his You Will Meet a Tall Dark Stranger, in which she played the dodgy clairvoyant hinted at by the title.
Yet on film, her performance as Shirley gave her a extraordinary time to shine.
Elena is a passionate storyteller and writing coach, dedicated to helping others find their voice through engaging narratives.